The title of the 2014 Taipei Biennial, "The Great Acceleration: Art in the Anthropocene," translates into the cultural arena an idea that has become increasingly accepted among scientists. …
As the second edition of a show that first took place two years ago, this summer's Made in L.A. at the Hammer Museum satisfied the minimum requirements of being biennial.
Eight weeks into Greater New York Cinema, P.S.1's 20-week sidebar highlighting the past five years in film and video, comes a reprise of Brooklyn-based Jessie Stead's 2006 "structuralist road movie," …
Lars Laumann's solo New York debut at Foxy Production is a deep, polyvalent inquiry of, in a word, transcription. The two videos and two lithographs on view forward a riddling chain of propositions ab…
There are people who make a living of critiquing spectacle, who pump unspectacular phenomena with predictable criticisms of their meanings, consequences, or perceived lacks thereof. Virtually immune t…
Last Thursday the New Museum's press office announced the artists selected for the upcoming, controversial-in-all-corners exhibition of Greek super-collector Dakis Joannou's cache of contemporary art…