Although Nathaniel Mary Quinn's faces look collaged, they're actually rendered with oil, paint stick, gouache, and pastel, usually against a plain colored background. He works intuitively but…
Venezuela-born, Berlin-based artist Arturo Herrera breathes life into well-worn practices of modernist collage, exploring the tensions between exactitude and spontaneity, placement and displacement.
Joseph Sterling died in 2010, at age seventy-four, having never received the sort of blue-chip retrospective that helped canonize Ray Metzker and Kenneth Josephson, his contemporaries and fellow…
Martha Tuttle stitched together creamy-hued patches of wool and pieces of thin open-weave linen that she colored with flinty gray mineral-based pigments. She stretched the resultant geometric…
Critics and art historians often take Édouard Manet to be the first master of reification, the original modern painter. Evidence of that mastery is intermittent at best in the exhibition "Manet and…
Brittany Nelson's exhibition merged the biography of New Wave author Alice Sheldon (pen name, James Tiptree Jr.) and the lonely wanderings of the Mars Opportunity Rover.
"A Tale of Today: Yinka Shonibare CBE" inaugurates the Driehaus Museum's exhibition series spotlighting the work of contemporary artists of color, an exciting new direction for this Gilded Age…