Julia Scher
A desire for intimacy via surveillance seemed to inform the works in Julia Scher's exhibition at Esther Schipper, "Wonderland," which provided a focused look into her practice since its beginnings…
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Berlin Biennale
Curator Gabi Ngcobo opens her introductory essay for the catalogue of the tenth Berlin Biennale by invoking an empty pedestal: that which once held a statue commemorating the nineteenth-century…
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Richard Mosse
Hundreds of black-and-white photographs are pieced together to create vast, ghostly landscapes in Richard Mosse's recent series of large-scale prints, "Heat Maps" (2015–17).
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Composite Realities
In some of von Wulffen's paintings, a crackled varnish applied to the surface splits like dried skin.
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Moyra Davey
Canadian artist Moyra Davey's exhibition at Buchholz in Berlin "burrow[ed] into a life, termite fashion," to borrow phrasing she uses in one of the two videos on view, Wedding Loop (2017).
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Renée Green
In Renée Green’s recent exhibition at Nagel Draxler, a row of twenty-eight small fabric banners hung across two walls facing the gallery’s storefront windows, displaying a mix of bold and dissonant co…
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Gülsün Karamustafa
Gülsün Karamustafa’s work explores the processes of modernization, political turbulence, and civil rights issues that have arisen in Turkish society in a period that spans, among other events, the mil…
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“Rum, Sodomy and the Lash”
“Rum, sodomy, and the lash” is an aggressive exhibition, as suggested by its title, which was taken from a quote often (mistakenly?) attributed to Winston Churchill as a characterization of the naval…
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Qiu Shihua
From a distance, they look like white monochromes—if anything at all. Quite often, they suggest raw canvas, without even a layer of gesso. When you get a bit closer, however, and allow your eyes to re…
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Michael Dean
The English artist Michael Dean has a complicated relationship with language, one that reflects the ambivalent relationship between postmodern British sculpture—with its down-to-earth blend of minimal…
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