Sensuality & Independence: An Interview with Karen Lamassonne
The Colombian American artist talks about cross-pollination between mediums in her work.
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Prisms of Influence: “Slip Zone” at the Dallas Museum of Art
Connecting Modernism to Mono-ha to Minimalism, this exhibition suggests that postwar abstraction involved more international exchanges than single vectors of influence.
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Staying South
These days, more and more artists who exhibit internationally are remaining in or returning to the American South, where the region's communities, histories, and materials have become essential to…
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Radcliffe Bailey on His New Abstractions: “I Always Thought the Surreal Was Real to Black People”
The artist discusses two new major developments in his work—a pivot toward abstraction, and his first architectural project.
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How Courtney McClellan Mocks the Mock Trial
The Atlanta-based conceptual artist probes relationships between performance, fiction, and the law.
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A Central Axis: David Driskell at the High Museum of Art
A major survey emphasizes that David Driskell's contributions to art history were rooted in his own work, which refracted the concerns of Black Americans.
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