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The Surrealist practice of automatic writing finds a troubling analogue in a new wave of sophisticated AI text generators.
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In a consumer culture that validates participation, immersive art makes experience a commodity.
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Fun under Watch: Marta Minujín at the New Museum
La Menesunda was one earliest artworks to use live video. Now, seeing ourselves on-screen is not a technological wonder but a dreary aspect of everyday life.
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The Shed’s Fetish for Immediate Experience Ignores the Reality of Contemporary Rituals
Conceived for the impossible task of serving as an alibi, if not an apology, for the $25-billion development at New York's Hudson Yards, the Shed, the 200,000-square-foot nonprofit art space that…
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Broken Social Scene
Warhol presented being manipulated, both visually and socially, as an ongoing condition—a way of being, a journey without a destination.
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