Jaune Quick-to-See Smith Brings Indigenous History to the Whitney Museum in a Landmark Retrospective
This is the first retrospective for an Indigenous artist that the institution has ever organized.
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Native Art
Landings and Landscapes: Contested Geographies at Wave Hill
Camille Hoffman, Sara Jimenez, and Maria Hupfield invoke in turn the US-Mexico border, the Philippines, and Indigenous territories of the Anishinaabe, while also incorporating in some way aspects of…
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Other Voices, Other Worlds
Alternative conceptions of human-nonhuman relations have exited throughout history, most prominently among Indigenous groups.
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Break Open This Container
The commodification of Indigenous culture is a global phenomenon. Souvenir shops throughout southeast Alaska sell imitations of Northwest Coast Native masks made in Indonesia. Nicholas Galanin…
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Explore Our Art Partners
Taking Up Space: An Interview with the Wood Land School
From the beginning, we have aimed to create conditions and spaces for ourselves as Indigenous people and Indigenous artists. I don’t see Wood Land School as a curatorial gesture, but as a project driv…
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Without Us There Is No You: A Conversation at Artists Space
How can we inhabit a world that is shaped by colonialism but not reducible to it?
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Honoring Songs: A Benefit for Spiderwoman Theater
A benefit for the Indigenous feminist performance group featured an intergenerational roster of musicians, storytellers, actors, and activists, all united by a sense of joy in sharing the work and pla…
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From the Archives: 23 Contemporary Indian Artists
The new Indian has demanded to be reckoned with as a whole man, both politically and artistically.
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In the Studio: Hock E Aye Vi Edgar Heap of Birds
Hock E Aye Vi Edgar Heap of Birds relates his efforts to commemorate Indigenous history while also critiquing non-Native arrogance in acerbic visual and textual works.
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